Grip, Denzler and Johansson, respectively in their early thirties, early fities and early seventies, found each other through
the intertwining scenes between Paris and Berlin. When taking a look at their previous musical activities you will get an
exquisite account of the contemporary history of experimental
improvised musics (yes, plural!) in Europe. It is a dense heritage in service of forming a new model for a creative process.
Emerged through the questioning of methods, Neuköllner
Modelle combine bipolar procedures in creating something
which could be likened with a retarding ballad of the insistent
up-tempo murmur accelerating in the backdrop-world of today