Fragments //

Album label: 
Release date: 
Recording location: 
Victoria, Nasjonal Jazzscene, Oslo
Recording date: 
Wednesday, March 1, 2017
Artwork design: 
Executive producer: 
Pedro Costa
Mastering engineer: 
Christian Obermayer
Mixing engineer: 
Christian Obermayer
Recording engineer: 
Christian Obermayer
  • 1. Bånsull etter Moren (13:14)
  • 2. Main Source-365-B (10:36)
  • 3. Fragments (07:42)
  • 4. Blood (06:06)
  • 5. Wallack (08:57)
  • 6. Stillhetens Hav (06:08)

Thomas Johansson - trumpet
André Roligheten - tenor saxophone
Christian Meaas Svendsen - double bass/fender bass (left channel)
Jon Rune Strøm - double bass/fender bass (right channel)
Andreas Wildhagen - drums

Yes, you can create a band concept from the double bass position, but instead of putting himself as the focus of the collective music of his quintet, bassist and composer Jon Rune Strøm enlisted a second bass player, Christian Meaas Svendsen, for the group, like him doubling the upright instrument with an electric one. Which means that the idea is on the sound, not the personality. And the choice of companion explains much of what we find in “Fragments”. If Strøm is known for his incredible energy and physicality, Svendsen is a force of nature, sometimes using two or three bows or performing with arms, legs, feet and mouth. The center of gravity of the music is low, but the two horns manage to take it to the highest levels possible, namely trumpeter Thomas Johansson and tenor saxophonist André Roligheten, with drummer Andreas Wildhagen gluing it all and covering the fortuitous gaps like an octopus. That’s what differenciates the Jon Rune Strøm Quintet from all the other bands including Strøm’s contribution, namely Friends & Neighbors, All Included, Universal Indians and Frode Gjerstad Trio. The project belongs to the same family tree, call it free music or free jazz as you wish, but there’s something else going on. Bass-driven pleasure in its purist form, that is.